Forensic Artist Jo Orsatti Capturing Assailants In Art

When Forensic Artist Jo Orsatti is finished her work, victims and witnesses of crime, once again, come face-to-face with a painful memory. But far from feeling re-victim- ized, they often find some meas- ure of solace and empowerment in completing a sketch. While they may be scared going into it, more often than not they leave saying “I’m glad I did it.’” This has been Detective Constable Grisel Fitkin’s experi- ence. The Sex Crimes investiga- tor has worked with Orsatti on numerous cases and says that often complainants are apprehen- sive about taking part in a com- posite sketch. “I ask them, afterwards, whether they regretted doing it and they always say ‘I’m glad I did it.’ It’s overall a positive experience for them and Jo is always so supportive,” says Fitkin. They feel “relaxed, respected and that they have been treated with dignity.” Orsatti sits with the victim or witness, alone in her studio, located at Forensic Identification Services. “This is so there is no influence from anyone else,” says Fitkin. “And Jo doesn’t know anything about the crime.”